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		<title>Pixar Story Telling Rules - Revision history</title>
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		<updated>2026-06-09T20:32:49Z</updated>
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	<entry>
		<id>https://pdkb.chivanet.org/wiki/index.php?title=Pixar_Story_Telling_Rules&amp;diff=415&amp;oldid=prev</id>
		<title>DavidWhitten: Created page with &quot;Pixar’s Rules of Storytelling were originally tweeted by Emma Coats, Pixar’s Story Artist. Number 9 on the list – When you’re stuck, make a list of what wouldn’t hap...&quot;</title>
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				<updated>2018-03-13T14:25:12Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;Pixar’s Rules of Storytelling were originally tweeted by Emma Coats, Pixar’s Story Artist. Number 9 on the list – When you’re stuck, make a list of what wouldn’t hap...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Pixar’s Rules of Storytelling were originally tweeted by Emma Coats, Pixar’s Story Artist. Number 9 on the list – When you’re stuck, make a list of what wouldn’t happen next – is a great one and can apply to writers in all genres.&lt;br /&gt;
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1. You admire a character for trying more than for their successes.&lt;br /&gt;
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2. You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.&lt;br /&gt;
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3. Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.&lt;br /&gt;
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4. Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.&lt;br /&gt;
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5. Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.&lt;br /&gt;
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6. What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?&lt;br /&gt;
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7. Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.&lt;br /&gt;
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8. Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.&lt;br /&gt;
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9. When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.&lt;br /&gt;
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10. Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.&lt;br /&gt;
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11. Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.&lt;br /&gt;
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12. Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.&lt;br /&gt;
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13. Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.&lt;br /&gt;
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14. Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.&lt;br /&gt;
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15. If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.&lt;br /&gt;
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16. What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.&lt;br /&gt;
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17. No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.&lt;br /&gt;
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18. You have to know yourself: the difference between doing your best &amp;amp; fussing. Story is testing, not refining.&lt;br /&gt;
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19. Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.&lt;br /&gt;
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20. Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?&lt;br /&gt;
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21. You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?&lt;br /&gt;
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22. What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.&lt;/div&gt;</summary>
		<author><name>DavidWhitten</name></author>	</entry>

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